Steve Specht here...
Just finished this one today. Thought it was a propos for the upcoming New Year's Eve celebration. Happy New Year everyone!!!

like and love

Steve Specht here...
I work quite often on my collages. I really enjoy the process, so why not. In fact, I think I am officially obsessed with collage. I really enjoy looking for elements; I really enjoy looking at others' collages; I think about my on-going collage projects pretty regularly; I really enjoy talking to other people (who are interested) about art in general and my collage efforts specifically; I even occasionally finish a piece here and there ;-) Most of the collages I create I "like" (which is probably pretty natural); but others I create I "REALLY like" (or "love"). I was very excited yesterday (Christmas eve day) to finally complete, mat and frame a piece I've been working on for a couple weeks. This is a piece I think I "love". I show it here from collage "surgery" to finished and framed. It's entitled "I began to experience the effects at around 3000" (8" x 6"). Enjoy!

A must see—David Hochbaum in NYC

I am happy to share some info from David Hochbaum about an upcoming show in NYC. I have never been to one of his shows, but I am excited to report that I shall be going down for this one.


 He says: 

Next To The Sea

I am very pleased to be invited by the lovely Lillan Munch to participate in a show at her gallery, which opens this January, 2012.
The show is titled "Next To The Sea". It is a 3person show and the first extensive showing I will be doing in NYC in 5 years. I am thrilled to be premiering a few of my new large format Polaroids. I will also have a few new photo constructions as well as an installation of 111 ships. I am very excited to be able to show on my home turf and I really hope, if you are in the NYC area, you are able to come and see the exhibit while it is up. I have here a few sneak peek shots of works in progress.And here is the info for the show:
Opening Reception Sunday, January 8, 5-8 pm
“Next To The Sea”

Pierre Botardo
David Hochbaum
Jacob Dahlstrup Jensen

Opening Reception Sunday January 8, 5-8 pm
MUNCH GALLERY
245 Broome Street
New York, NY 10002

The show runs January 8 - February 5, 2012

nothing to do with collage

Paper mache ornaments that I have been making for the family. Hence, the absence of personal collage related posts!

Beaver Moon 3d

I had this piece going on for at least a month. It still isn't exactly complete, however it is in a state to be shown. I am moving on to the next moon now, (the long nights moon!) and the details on this piece can be finished later on in spare time (ha. what is that?)

in progress: everything is laid in place. nothing is glued down

I thought it was interesting to see how things change as I work on them. The above photo was taken when I was still defining this piece, prior to my inner fight about putting figures in. I fought with myself the whole month over whether or not to include a person. Somewhere inside I wanted to emulate the flat version I did, and I searched for a figure to put in the center. In the end, I went with 2 ladies in white, who seem to be emerging from the background.

almost finished piece

The part you see is almost done. I intend to extend the picture out onto the sides of this dresser drawer. I am working with different methods of drawing the viewer in. This piece gets no gimmicky LED lights!!

Work in Progress

I've been busy. Real busy. It's a good month when I have several fires that are lit at once!

This piece is as of yet untitled. It's a 3d piece, and I am working with  mirrors and lights.

The idea is to have the building extend out from the substrate....and be open on the bottom and top, allowing the curious ones to peak inside. I have done collage work on both the inside and outside of the building. The only way you can see the inside work is by the reflection in the mirror. It's hard to explain. Let me show you.

An overall view, with crappy lighting! 

The base is a thick 1" piece of gnarly wood that I found in the garage. I painted it white, and then added accents with GOLDEN interference paint. This worked really well, and when you look at it in person, it's pearly. I started this piece before my wedding and ocean honeymoon, so I was in a shell mood and actually picked apart vintage shell earrings in order to create the weeds and front lawn.

A closeup of the right side with better lighting, you can almost see the pearly effect.

The building was made from digital photos, which I blew up and afterwards used colored pencil in order to bring out the pearly colors. Unfortunately with these crappy fotos, you can't see the effect.

Underneath the building rests the mirror. And a hole.

The mirror will be attached to the building and it becomes one unit that I will eventually paste down on the wood. That little hole? I will house the LED light which will shine thru that odd looking piece of vintage jewelry, filtered light...In the back of the wood I have to use the router to create a hole that will house the battery pack and switch for the LED. It will poke thru the hole and I will then glue the jewelry above the hole to create the effect. This will help in 2 ways. First, you will be able to see in the mirror better, if you choose to try this. Also, it will allow the real glass windows that I put in the building to shine thru. It's an eerie effect, with the strange glow of LED coming thru it. (the windows were actually old mirrors, that I removed most of the frosting on the back.)

The people living inside only revealed thru the mirror once this is attached.

Here's the couple that live inside....an HP box was the substrate, and these tabs will get glued under the mirror.

detail of upcycled jewelry that I tore apart as greenery

Everything on this is complete, art-wise. I just have to get my sweet husband to help me with the router part for the LED and I guess I shall have to name this piece at that point!

holiday treat

Steve Specht here...
Here's one I'm entitling "In the Fishbowl" (5 x 7"). It's a bit more colorful than my pieces tend to be; but I like it. It seems to have a holiday feel to it, I think. Enjoy!

It's Not Always Black-and-White

Steve Specht here...
Just wanted to let folks know that one of my collages (shown here) will be part of the juried exhibit at the Arkell Museum/Canajoharie Library (glad that a collage will be represented as part of the group... maybe there will be more). The opening reception is being held in conjunction with Elves Night in the village next Friday (Dec. 2nd). Enjoy!

smallest yet

Steve Specht here...
Have I mentioned how nice it is to be back in the studio? I love it! Ideas seem to be flowing freely. The "problem" is that I now have about 6 actual projects "in the works". That can sometimes be a bit distracting for a monkeybrain like me. Last night while I was juggling the ongoing projects, I put together a few remnants that I had laying around. I used a small aperture mat and "found" the germ for lovely this composition. I tacked it down this morning and will frame it. Although I made a couple of lapel pins a while ago, this is the smallest of my "real" collages yet. I tend to like the small format collages. It's only 2.75 x 2.75 inches (7 X 7 cm). Enjoy!

Mailart by Clint Chadsey

There was a really nice person from the past who sent me a wonderful mailart package that I have neglected to rave about.  I apologize to Clint Chadsey for not gushing about his work earlier, when the excitement of receiving it was fresh, but as I have said....I tend to be a bit manic. Sometimes the timing is just not good in my own personal brain. I can remember when Clint's letter came. I was uber depressed, and I got overwhelmed that someone who doesn't know me would spend time and do something so nice for me. I felt incapable of handling this at that time but it has nagged me ever since that I did not post about this thoughtful event. But I am trying to get back on track with everything, and today is Clint's day.

This is some thought provoking collage work here! I am such a fan of black and white. I can't get enough of it in my day to day life, with b/w striped socks, striped sweatshirts, polka dotted socks, and checkered ear plugs. My first personal art experience was in pen and ink, so a black and white piece feels like home. 
Clint uses black and white like a pro. The work is convincing and most impressive is the idea behind the work. I tend to work for beauty and forget the meaning when I work. It's obvious he has a statement to make and he does it well.

So appropriate for these times we live in.

I don't want to even pretend to know Clint's political affiliation, and I try hard to leave my own personal opinions out of this blog, but the sentiment from Dorothy saying "Toto, I don't think we're in Kansas anymore" seems so appropriate, given the times we are living in! Today there is a small Occupy group in our town of 2200 that is protesting the local Bank of America. #Occupy comes home.

This face-dog is absurdly sweet

The juxtaposition of the images he uses works so well. These images are from post cards that he sent me. I can't send them out. I keep the precious stuff!

My political mood today is choosing these images. Aren't they great?

He sent quite a few to me, including a few color pieces. 

Bold. Statements. Being. Made. Here.

Thank you so much Clint! These were great pieces to post for the #OWS mood I am in today. More of his work can be found here.... on his site. 

The Hyper texture of Gail Coito

I regret that I am so slow to respond to people that sometimes send me beautiful mail or write to me by email. I am such an emotional sort, and I go up and down more than your local park's swing set. It's a big fault of mine, but as I curse that emotional gal inside of me, I also remember she's the one that rules the roost and allows me to be creative at all. So please forgive me, all of you, for putting you aside while I try to keep a grip of myself! Gail has written me more than a few times about sharing her work and I am so glad that she did! I am in love with her textures!

So, today I want to share the work of a talented woman named Gail Coito who hails from San Fran, CA but originally she was from the East Coast. Finding her way to collage thru her work with a Hospice group, she recognized her calling and has been doing cut and paste ever since.

Her work is uber textured, and super tactile saturated. These pieces read like an ephemera fest. Poetic little snippets sewn glued and fit together to form an unknown memory. In her recent work on her website, I spent some time getting to know the characters she has created.

A Depositor - Random Stacks Series

 Looking thru old photographs it's hard not to imagine what their lives were like and what they stood for. Gail spins a literal web with thread and tiny hints of paper, leading you to draw your own conclusions. Fantastic mixtures of paper and textiles. Little bundles of peoples lives. I seem to be able to come up with lots of little descriptions for her sweet collage vignettes.

Book of Secret Codes - Random Stacks Series

More here, at her site. She also teaches, so you west coast peeps can take advantage! There are some serious textures here...and many layers a collagist can get lost in....

Yet Another Interface

Pardon me for changing the interface again. The last one I was trying seemed buggy to me. It kept freezing on my mac, and then it stopped me from being able to post! This newer look seems like it may be a better fit. I am hoping that Steven has access.....I miss his posts.

mixel

Just read about a cool new ipad app called Mixel. It mixes images and creates digital collages. I am not sure about how the copyright nazis will feel about an app like this!
I admit I must be one of the ten people that does not have an iPad. Yet.
And I am craving to try this and several other apps.
If you are iPad endowed, you may want to try this!

Hyperallergic writes about here. I think it's a cool idea. But is there a practical application?????

Beaver Moon (flat)

Beaver Moon (flat)

Today is the Beaver Moon. An appropriate day for posting artwork that is inspired by it, wouldn't you say? This piece was a struggle. It's a transitional piece I think. I am watching my ideas and work change.

The color scheme: was inspired by The Sowers, by Van Gogh. I was teaching color and color relationships this week at SUNY Coby in design class. I was also reading about Van Gogh. I am quite amazed at his use of color. My piece uses purples and pale yellows and oranges. It's an attempt to really force color vibrancy using compliments.

The design: was inspired The Tres Riches Heures. The Book of Nature, which was painted in 1400's. I really love this book and the idea behind it. I am using this project as an exercise. Each month I will do a piece based on the moon. I was careful not to look at this piece at all (recently) as I made my own. I don't want to copy, but take the essence. In my piece, I am wanting to define the oval shape with pen and ink and add some numbers. I might try this digitally before I take it to the final work, and only if it looks good.

The use of photography in this piece: was inspired by David Hochbaum. It's no secret I like his work. His use of large scale photos that he takes himself continues to drive me to this mode of operation. I have also almost eliminated external ephemera. Almost! (those planet stickers I could not resist!)

The idea: in case it isn't coming through. The beaver moon is about getting ready for the cold. She is supposedly harvesting the weeds. I don't know if the message is strong enough. I hate to go blatant and put a beaver on the piece. That's cheating!

Beaver Moon Miracle

The rest from the collage studio table has created The Miracle. The very thing I have been waiting for! A CHANGE...
It was bound to happen. I have been wanting to break out of my creative mold for awhile now, and I think that finally the glass has shattered. No longer can I put the pieces back together.

I decided to warm up my collage skills with a simple piece about the Beaver Moon...which is coming up on Nov. 10. I researched the term and the meaning behind it and I have an idea. I did a watercolor on 140 lb. paper for the base. But as I started to add objects, I found that they were heavy. REALLY heavy. I took them off. I struggled and put them back on. I took them off again. ON again. This process exhausted me and I quit and came back. The next day I told myself that if I wanted to deal with these heavy materials, such as fur and metal...I would need to move to a heavier base. Like a dresser drawer (my latest substrate obsession).

I ferret out a nice one from my husband's vast collection of furniture parts and paint a background. I decide in this process that I am going to do 2 works! One shall be flat. Old style. Like I used to do it. For me, so I can satisfy the urge that I have to go back....I can be Free and do what I want. This is for my enjoyment. For selfish ME.  The second piece in the drawer would be the new stuff, the heavy... I lay them out.

Art #2 in the drawer is just a base coat of acrylic, no actual scenery. I am relying on my digital photo to carry it. (It seems like cheating somehow, but the photo is mine so relax Julie) The fur, parts of vintage jewelry and hats, netting, it all will rest nicely on this piece.

It's that Art #1 that is troubling me. I struggled like crazy to place the first few objects on it and ended up removing them. I tried again, with another set of paper pieces, going in another direction. Nope. It just is not going anywhere. It's collage future appears to be dead. So far, this piece is a watercolor. And nothing more.

And there is the change!! I refuse to work on it if I have to go backwards. I quit. Somewhere in there the old went into a cocoon, and something new has emerged. The new work wants to have a lot more depth. It wants to mix paper with milkweed pods and vintage jewelry parts and be heavy. It doesn't feel "pure paper" anymore. It isn't just collage, it's collage plus something else.

Along with the urge to combine newer and heavier materials I also want to build up and off the paper. I can't get past it. To sum this all up, I am working on much more intense pieces. They require planning. And electrical engineering! These works are evolving and they are taking so long. This part I am not liking...and I told myself to go Julie and express that time frustration thing on Art #1, but so far, that canvas remains cold and alone. While the Beaver Moon begins to rise....

Note to you and me> I need to take some photos of the process here, so this blog has something visual going on. All these words make me nervous.

When is a Piece of Mail a Piece of Art?

When is a Piece of Mail a Piece of Art?
When Terry Garrett sends you a letter, that's when! I was most delighted to receive this gorgeous and meticulous piece of art from Terry on a day when my soul felt most black. I wasn't expecting much in the old snail mail box, except more bills..., but there was this fantastic adventure in there to surprise me.

the folded envy, with the flap tucked in

I have felt a bit inside of myself lately. This letter helped to draw me back out.

the little diamond fold

The image of a bird landing on a rooftop...a parallel to the mail that landed in my box.

the beautiful letter - art cheers up the soul

The telescopic eye of this collage on the outside of the envelope is another parallel...to the way I feel about looking towards the future in time... of the country, my network persona, my blog, my artwork, my soul. All systems Go!

the prophetic vision - we look to the future!

#occupythisblog

It was inevitable. With the world beginning to #occupyitself....I found a strong need to begin to #occupythisblog better than ever before.

I am surprised Steven didn't lead a small protest and take it over!  I've been a slacker plain and simple. And it's time to crack the whip, quit whining, and get down to business.

I just did the first thing I could to make it obvious things are changing here. I chose this new design for the blog for the ability that it gives YOU as the use to create your own interface and viewing experience.
It's so democratic. It's so fresh. Let's rock this thing!

Where I landed. Where I go.

My feet are back on the ground, I think. It's been a long lingering month or two where things were so busy that I had to be disciplined just to finish all the tasks on my plate. Chris and I got married and that required my complete attention. After a simple family ceremony in our yard, we went to Maine and had a few days of wonderful surf to unwind. Immediately upon returning, it was the start of college and I had to pull myself together to teach Design at COBY two nights a week instead of 1. Meekly, I post on this blog, but I feel guilty for letting things just die here. I continue to do this periodically. I am not sure about the overall future of this forum....I  am still weighing out where I am going from here.

I did a small showing of art at the Harvest Fest in Sharon Springs over the weekend. The Harvest Fest was not exactly the best art forum, but I did want to show these pieces to the local folk that live in the town that the art was about. I got to talk to various people about Sharon Springs and I even sold a couple of pieces. As I put things away in boxes to bring down to the Elephant Bistro in town, I really felt the urge to just put this work to rest. I have already shown it and I actually am tired of it all. The Bistro, however, really wanted to have some pieces hanging in their restaurant, so I brought them down there. Regardless of this strategy, it does feel like it's the end of an era. It's the end of the Sadler era and it's time for me to move on to new ideas and formats.

I felt badly about not selling more this weekend and I had to sit back and think about reality.

The one thing I did sort out over the weekend is my own thought process, which isnt' working right.

I do art to express myself and as I do this, I could care less what anyone would think of the completed work. I go for a particular "look" and when I achieve it, I toss the canvas aside and move onto the next unfinished puzzle. When I feel I have completed a body of work, I take it to a gallery to show/sell. I take these artworks and present them to the public where I now expect them to like it---no, love it-- and perhaps even purchase it. 

When I create, I could care less about anyone else. But afterwards, I am trying to sell to someone else, and honestly, what nerve!! I expect them to like my viewpoint, and the way I presented it, and also to buy it and love it like it's there own. I am looking to be rewarded for being me. No wonder it's such a bummer when art doesn't sell, or when someone doesn't exactly like what you do. You really put yourself on the line. There's no way to avoid this I don't think. 

So there are 2 ways to go on from here.

1. Cater to the public. Figure out what sells, figure out what people want, and give it to em. Not sure if this is anywhere near as personally satisfying. But, if out society decides merit upon how much money we make, then this is definitely the answer. Lots of money = good artist.

2. Do my own thing, and suffer the consequences. If it sells, good. If it doesn't, who cares? I got my satisfaction out of the creation anyhow.

My new husband says that art is my therapy and that I probably would stop doing it if I did it just for sales. I tend to agree. But this doesn't help the wallet! And somehow this whole sales thing seems to tie into the money thing. And the money thing ties into the self worth thing. And the world goes round.

"Thinking of Ewe"

Steve Specht here...
On Saturday October 1st, Sculpture Space, located in Utica, NY will be holding its annual CHAIRity auction. Sculpture Space is an internationally lauded residency program for sculptors (see www.sculpturespace.org). I have been donating pieces to this great cause for the past 10 years. I usually do a piece of painted furniture and for the last couple of years did a collage as well. This year I have done this piece for the event. It's entitled "Thinking of Ewe" (14" x 11"). I'm hoping that two people like it enough so that it will bring in a respectable amount for Sculpture Space. It's a great event and is the closest that Utica ever gets to feeling like New York City (in my humble opinion). Enjoy!

Black and white?

Steven Specht here...
This piece is 14" x 22" and I think I will entitled it "It's Not Always Black and White". The reason for this title? Each of the elements - with the exception of the starry space element- is taken from a book or paper that made it appear to be black and white. However, although the pieces were monochromatic, they each had different hues. The woman is somewhat purple. The fetus is yellowish (aged paper). And the roses have a Payne's gray hue. I love the interplay of these subtle colors in this piece. Enjoy!

CONGRATULATIONS TO THE NEW COUPLE!!!

Best wishes from Steven Specht! Enjoy the day... and the rest of your lives together!

Takacs Shell Starship

Takacs Shell Starship, a photo by misphit on Flickr.

Time is winding down and the available free time i have has disappeared. I have been preparing for my wedding which is next weekend. My husband shall receive some gifts of art. This piece is the cover of the little album I have been working on for him. I will be handing a miniature version out as a wedding favor.
The ocean is calling me, and as I sit on the coast of Maine, I shall be collecting ideas, images, and emotions for my next work. I have had hardly any time this summer with both my daughter and I getting married, but let me assure you, absence makes the heart grow fonder...and I cannot wait to get back to my artwork!
I'll be back soon, with a new name and a brand new attitude!

Old Forge exhibit

Steve Specht here...
Boy I really do not want to "displace" Julie's stunningly beautiful self-portrait collage, but I hope she'll understand. We got very little publicity for this up-coming show (and perhaps some of you will be interested). I will be part of a three-person exhibit this month at The Old Forge Library Gallery with Suzanne Firsching (sculptural wall hangings) and Victoria Zacek (fiber artist). The opening reception is the Friday (Aug. 5th) from 5:00-8:00.

Mother of Pearl

Mother of Pearl - she plays the oyster harp

Such a difficult thing....doing a self portrait...I rarely do them. This was one of the few times that the vision in my mind actually matched what ended up on paper. This piece is for the wedding album. A real gift! 

workshop opportunity

Steve Specht here...
I am very pleased and excited to notify anyone who might be interested that Jonathan Talbot will be offering a two-day collage workshop at Utica College next April 21st and 22nd (2012). This is a great opportunity to learn from one of the best! Go to Jonathan's website for a more detailed description and to read comments and see work from previous workshop participants (including me!). http://www.talbot1.com/workshop/index.html

ABAD 23

A Book About Death is still quite alive. To quote the ABAD-23 site...


"The ABAD Project was born in 2009 at the Emily Harvey Foundation Gallery in New York City, the brain child of Paris-based American artist Matthew Rose. ABAD has since grown into an international art movement that continues to sweep across the US and the world. It has traveled to Brazil, Belgium, the UK, Croatia, Italy, Bosnia & Herzegovina, and Mexico, touching artists everywhere.
This will be the 23rd ABAD worldwide, the first on Long Island’s beautiful South Shore."

I participated in the first exhibit, but have not been in any of others. It was time for another round. So I did a pair of works for this exhibit and I tried to use as much symbolism as possible. For this project, the artist is instructed to provide 2 pages, one for the exhibit and one to be bound in a permanent book..."thereby furnishing an Omega to the Alpha of the Unbound Book of the original show".

On the fronts of my 2 pages, for the base paper I used a grave rubbing. Pen and ink and acrylic add a splash of color, while black mourning lace adds a bit of drama . There's a nude male on one page and a nude female on the other--symbolizing the equality of death. Both figures are literally in bondage, and also exhibiting the "ties that bind" with threads--where I have stitched the front page to the back page.

page 1

page2

The back pages consists of portions of a cemetery log book. One of these is particularly endearing and charming, mentioning a certain "John Burrly, buried in the old ground by side of his wife. $5.00 paid the association for that privilege."

back2

back 1

It's all still quite amazing to me, how the emotions about death of one man, in this case Matthew Rose, grew into a worldwide phenom, which is far from dead. Ray Johnson was the originator of the whole concept and although he is gone, his ideas and thoughts live on also. Perhaps this is the ultimate irony of it all, and I sometimes wonder if Ray knew this. It's all such a delicious mystery, the unfolding of life and death!

I send this package to the gallery today on the 13th. For you Ray.

More exhibit information can be found here on the ABAD 23 website.

nautical kiss

nautical kiss, a photo by misphit on Flickr.

Notice, the dates on the vintage journal correspond to the dates of our trip...

Shellstar machine

Shellstar machine, a photo by misphit on Flickr.

Aaaah. The Days of Summer 2011.
So far my days and nights consist of dreams. I am in a land within my head, and dreaming of ocean love. My fiancé Chris and I are getting married next month...August 20. Our honeymoon will be spent in BoothBay Harbor Maine. I am making this special wedding album for my husband-to-be. It's been fabulous fun to be back on the collage table after the rigorous exercises I have put myself thru as of late. I cannot believe how the inspiration just gushes when my mind is "in" something. I am so very excited, so this art feels like an overflowing tsunami.
Please enjoy this page from the wedding album. It's my personal fave.

To The Power of N... revisited

Steve Specht here...
I've been selected for this great event! So excited and nervous at the same time!
http://collagista.wordpress.com/2011/04/30/to-the-power-of-ncall-for-submissions/

Failure... or is it?

Steve Specht here...
So I spent a good portion of the day cleaning my studio space a little and just sort of getting back into the swing of things with my collage efforts. I actually did two collages today. One was done in the spirit of my friend and fellow collage junkie Julie Sadler. Her collages are awesome and they are quite different in style compared to mine. Her process- which she uses to great effect-- is much more "free form" and she lets herself explore more that I do in my meticulous ways. So I decided to try to "let go" a little and work without much planning. The result I think turned out okay. Then I decided to finish a piece I had started a little while back. This piece is a bit more in my "voice". It's also the smallest collage I've made (measure 2" x 5"). Enjoy!

Schwitters

Steve Specht here...
I will keep this post very brief, so as not to overshadow Julie's recent interesting crystal post. I realize this is VERY 'late notice', but if you get a chance to see the Schwitters collage exhibit at Princeton University art museum, SEE IT! Its phenomenal! Bad news is that it is only up until the 26th. See my blog for more coverage...

Crystals of Resistance & the Process

Altho it really isn't collage, I want to mention one of the things that are currently fascinating me...and this is the website of the massive installation by Thomas Hirschorn at the 2011 Venice Biennale. The title of his masterpiece is "Crystals of Resistance". It's a huge installation created in the Swiss Pavilion, made of raw materials placed in grand scale. He uses many visual cues to reinforce his basic premise, and they all equal a very powerful exhibit that has enchanted me even just by viewing on the internets.

You are inside a geode. Crystals poke from every direction.

In addition to all the imagery, he has this website that accompanies it. In the site, he supplies many documents and sketches and illustrate the birth of his idea and the evolution that followed. He goes into detail and writes about the project and the meaning of the various dioramas he creates....he supplies a book list of the books that he read that influenced his work. It's a huge treasure trove of his process.

Crystals of Resistance website home page

It's all about the process.

He tells a tale on the Schema page that relates to a time in his past when he witnessed children selling crystals....
I was moved. It was a simple tale, but the fact that he shared it helped me follow along his train of thought, and allowed me a glimpse of his work from another dimension.

My attempts at documenting my not-so-recent Mohawk Valley pieces on Tumblr was an extension of this idea where I am sharing the process. I am not achieving this nearly as well as Thomas Hirschorn with his massive and thorough website exposé!

At first glance, the exhibit appeared to be harsh to me, the appearance of the raw tape and foils and the fact that he makes no attempt to hide it at first jars me and makes me snarl. But I am enraptured by the crystals, since I have a fondness for them, being a Herkimer Diamond fiend.....so I keep looking through the pictures and it all begins to make sense. This is how art is I think. Art used to be something that hung on a wall and looked good. We are living in new times! I am learning to embrace them.

The Artist's Reception for Steven Specht at Arkell

Visitors absorbing into each collage illusion

The gloomy weather did not prevent a small crowd of art lovers from attending Steven Specht's reception for his show at Arkell. With these fiery works to view, it didn't matter what the weather was doing… we were in Steven's little stellar world for the moment.
As I entered the gallery, I was happy to see a large supportive group studying the work. He stood graciously before his most recent accomplishments, with the gallery's stone wall providing a great neutral backdrop for showing  some of his newest collages.

The fabulous Steven Specht and his muse Mary Carol Murrie Durr

I purposefully took in each work and mentally noted various things…such as the finely polished surface of each work, the soothing color combinations and the humor infused within. The stellar additions to some of the pieces tickled the scientist in me, and I enjoyed his realistic depiction of everything constellatory! My foray's into the celestial usually mimic astrological themes…so seeing full planets and moons with craters was inspiring.

I really liked this pair, but my photo does not do justice

Enchanting the viewers with his crazy meticulous style, he allows the viewer to really believe the tale he is telling…It's magical.