4/07/2012

The End is Near - The Pictures

Some shots from the opening:

Fascinating work by Sylvia Netcheva. She used handmade paper as her substrate. Upon close examination there were elements embedded in the work. I liked this idea very much. Her pieces were sculptural and very expressive.
Sylvia Netcheva (Bulgaria)


This closeup shows some of the intense detailing 
on these pieces.

glass embedded in the work


Kevin's heavy gloss work was amazing in it's thick textured surface. I liked the abstract look, the various interesting papers he chose, and the small intensity of these works. I wanted to talk to Kevin more, but the busy show prevailed!
Kevin Gilmore (Rhode Island US)


I liked the work of Pierre. The diagonal words on the top right piece placed at that angle really worked. The colors he chose were rich and full. I liked the way this work was on canvas...and required no mat or frame. I didn't photograph it, but the images rolled around the edges.
Pierre Jean Varet (France)

The crowd congregates at the opening

Really detailed stitching and very meticulous placement was required for this work by Deborah Snider. She had some really beautiful works and they crossed the lines from collage to quilting.
Deborah Snider (UT)






As is usual for Steven, his meticulous work showed attention to detail. I found his work and the work of Frank Viola quite similar. You can tell these 2 have a similar philosophical approach to the work.
Steven Specht (NY-US)
Frank Viola


These are meticulous and colorful pieces by Frank Viola. During the panel discussion, I could feel how deep Frank goes into his mind as he places his ephemera. 
Frank Viola (NY)




My stuff. Hanging on the wall. Like a little village. 4 of these works were 3d, sticking out like the real building they represent.
Julie Takacs (NY)

Aprile had a very interesting display. These pieces all in matching frames with their similar tones were quite striking. I liked the way they all looked like a dissected book on display! These were works with a nautical theme. 
Aprile Elcich (Toronto)





A lively crowd



I had my camera in my hands during the panel discussion. Here's a shot of 3 collage artists deep in thought as they try to describe the creative process they go through.
Aprile, Kevin Gilmore, Jonathan, and Frank's hands during the panel discussion






This series of works by Jonathan Talbot was a striking presentation. These pieces drew you in, you wanted to get up closer and see what these people were doing. The sepia toned background provided a good foil for the tints in the photos.
Jonathan Talbot (NY)

Dale's intriguing work also lended a vintage aspect to the show. These fragile pieces made it all the way from New Zealand to the states and survived intact. The umbrella particularly spoke to me, in it's very decayed state it reminded me of lace.
Dale Copeland (New Zealand)

The show still hangs in the gallery....if you want to see it yourself! This show ends on April 30th. 
More info here


The End is near - The Words

Driving to Utica on the night of the opening, various thoughts crossed my mind. I've exhibited with other people before, but I have never had the privilege of attending since these shows were too far for me to travel. I've also exhibited solo a couple of times. But this time, I was going to be in an exhibit with other folks and on the scene to meet them. I get a bit of anxiety when I have to deal with a lot of people, especially ones that I don't know. I tend to talk alot and I get clumsy and lost in my words when I speak so this isn't usually a good feeling! I worked on pulling myself together. This was going to be easier for me than for artists who were traveling a far distance to attend this opening. I only had to drive an hour.
As I entered the gallery I was immediately struck by how many people were already there! The gallery at Utica College has such a nice ambience! In the adjacent room, a sweet jazz band was playing music for us  and refreshments were on hand. They had several choices of water infused with various fruits and vegetables....I loved the strawberry water and Travis mentioned the cucumber water as being delicious. 
I walked over to my corner where my artwork hung next to Jonathan Talbot's. I saw a man in a grey suit with a beard standing by his work and it occurred to me that this must indeed be Jonathan Talbot himself! I have wanted to meet him after we have had a few phone call conversations already and he is an interesting character. I walked up and introduced myself to the man and said "You must be Jonathan Talbot!"
"No, actually I'm not." The man replied.
"Oh c'mon! I saw your picture online. Your work is really interesting. I like the way the work is floating in the frame."
"No, really. I am not Jonathon Talbot." Again the man gently replied.
Hmmm. I thought quickly to myself. What an odd character! He doesn't want to discuss his work! The grey suited man strode off to look at the other collages and I considered the situation to myself. There was a lot of confusion with people coming in and I quickly forgot this incident. Later on, my friends Travis, Josh and Jen showed up. Travis wanted to meet Jonathan too, and I told him I would point him out and relayed to him my strange encounter. Before I found the grey suit man again, a tall man in a darker grey suit walked over to me and introduced himself. "Hi, I am Jonathan Talbot."
You can imagine my insides turning to jello at this point as I realized that indeed the grey suit man was really NOT Jonathan Talbot! Travis was nodding at me from across the room, since he heard the introduction and I said to myself...this is the reason you get nervous prior to shows!!!
I laughed it off, especially since I didin't see the grey suit man again. I feel sorry for my actions. I am certain he left scratching his head and muttering to himself about crazy artists!

After this crazy start, I could do nothing but enjoy the show and laugh it all off. I introduced myself to Aprile NotPaper Elcich and her sweet husband Jory. They made the trip all the way from Canada and I was going to do my best to not leave them alone standing there and make them feel welcome. I had hoped to talk more with the other artists but it was so busy! Many people attended and I was surprised at the turnout. 
The gallery is run by Caroline Whitefeather. She has several capable young students working in the gallery and doing various tasks. They were excellent docents that night. More than once, they brought over interested customers and patrons that wanted to talk about the work. I was happy to explain my thought on the theme of the show. It's really a side of the art process that we don't get enough of. it's tht interaction with others, that ability to see their response to your efforts and ideas, that is so valuable! I try to work in a vacuum so that my ideas come from ME> I know all too well my tendency to copy others without trying to. It just happens. In this isolation, you really don't get much feedback. Like a mad scientist you mix those papers like chemicals and out turns a smoking test tube. Getting a chance to use the chemical is a necessary facet!
Many interesting discussions were had. Janet and Matt Stanley came to see the show. They publish Pulse, a magazine for the Utica scene. They are friends of mine and also have purchased my work before. I was glad to have them on board, since this show is something that fits their readership. I also got to speak with Barbara Boucher, who is such a patron of the arts! She was a godsend for me and Steven during our solo shows at the Mohawk Valley Center for the Arts and continues to be a patron of our arts. 
The people at Golden Arts attended the show and were so gracious. They introduced themselves and expressed their ability to provide an artist tour of there facility in New Berlin. I am quite excited about this and plan to make a trip in the near future. It's so great to see these nice people out in the field meeting with actual artists that use their products. I love it that this company is in upstate New York. Our region needs more of this type of small business!
After all this tedious and exciting art talk, we were ushered into the main room for a panel discussion. It was nice to sit and talk with the public about their perception of what we do. I was fascinated by the answers of my comrades and found that experience to be less intimidating than I had imagined. 
I fiddled with my iphone and took a couple of closeups during the discussion, but I learned that next time I need to keep my hands free of thing to play with! I am a nervous person, and don't need toys when I am on stage!
After the show the artists all met up at Marin and had an absolutely amazing buffet of Indian food. I was still exhilarated from the show experience and of course I couldn't gorge myself like I would have. I have to go back there, the place had most excellent curry!
A great night came to an end. I rode the wave all the way back home to Canajoharie thanking Steven under my breath for his efforts in pulling this all together.

4/03/2012

"Choices"


Steven Specht here...
Here's a new piece I did as a demonstration at the Kirkland Arts Center in Clinton, NY on Sunday. I have decided to donate it to help them in their fund-raising efforts. I entitled it "Choices" because the characters seem to have made various choices in life. Enjoy!

4/02/2012

Kirkland Art Center "Great Continuous Collage Project"





Steve Specht here (one day after April Fool's Day)...
I had a REALLY nice time yesterday at the Kirkland Art Center for the Great Continuous Collage Project! They have paper up on the walls and plenty of materials for folks to make collage. It's an on-going community event. Go try it out! See "kirklandartcenter.org" for more details. Enjoy!

4/01/2012

end of a blog

Steve Specht here...
Just wanted to share what I just posted n my blog:
"Looks like I'm gonna have to close this blog down. Seems as though the copyright laws have finally caught up with me. Thanks for your interest and support over the past couple years. It's a very sad day for me. Collage is dead.
Star date - 04-01-12"

3/27/2012

Opening Reception for "The End is Near"



Steven Specht here...
Wow! The opening reception for "The End is Near" was a great success!!! It was SO nice to have six of the 10 artists in attendance. Lots of folks came out for the event. After an hour an a half of viewing and great conversation, we had a short Q & A session. The entire evening was fantastic! Enjoy!

3/22/2012

a couple more coming nearer





Thought I would post a few more shots of pieces that will be part of the exhibit at Utica College. These are pieces created by Aprile Elcich, Kevin Gilmore and Deborah Snider. Enjoy!

3/21/2012

"The End is Near" is Near!!

Steven Specht has curated the international collage exhibit "The End is Near", which will be held in the Barret Art Gallery at Utica College. I am honored to be a participant and look forward to this show and all that comes with it...such as the meeting of other collage artists and art lovers, the discussion over the topic and the works, and the overall festive atmosphere that an opening reception provides. I can't wait! It seems so rare here in the hinterlands of upstate NY.

webster wagner / Palatine Bridge


The End is Near was a tough topic for me. I have an open and imaginative mind, and nothing is impossible.  Of course that day is an ending! So is today! And tomorrow! Every single day is an end and it's followed by a new beginning. In fact I feel time is in slices -- albeit small ones -- and that every waking moment is a small death decay and tiny miracle birth in time fractions so small we just don't comprehend them. But they are there.
My latest passion is in the architecture, in the buildings and the shacks, the barns and their details....I drive around the area with a bag full of various cameras (holga, lomo fisheye and colorsplash, homemade pinholes and 3 digital point and shoots!) and I pull over at random heart-tugging places and try to capture their essence. I have come off the flat paper and now I am in a 3d mode. The buildings are extending out from their bases, rendered in paper, and they are quite delicate. Their fragile structure echoes the temporal existence of the very buildings that inspired in the first place.
Stratford


These old buildings, the original owners are often long gone, yet the buildings are still here...and we reclaim them, make them our own and continue to live through them until we pass them on. I  loaded up these fragile little paper dwellings with random tidbits of recycled jewelry treasure, little shells, and wired beads that were culled from costume jewelry pieces of days gone by. They provide a sparkle of new life to the little paper shacks. It's a symbol of the new beginning.


Argusville II




Argusville

These 4 pieces will be hanging in the exhibit. The last one Argusville, has a collage on the inside. The mirror behind the building on the base reflects this image, if you bother to look. To prompt you, there's a switch that leads to a LED that lights up behind the building. And there you have Interactive Art!

I look forward to seeing the interpretations of the other artists that are involved and will be sure to share mega photos before, during and after!!


3/20/2012

Homage to Kurt Seligmann


My busy art life has pre-empted this blog! (as usual...i know)  I have had a lot to do the last month and finally now I have a flood of things to share. Let's get down to it.
The first order of business is the Homage to Kurt Seligmann. Steven has already mentioned in a post here about this tribute exhibition that is being held in Orange County to honor Kurt Seligmann. Seligmann was not a collagist, but instead a major player in the growth of surrealism. He did paintings, etchings....and he was an inspiration in all things surreal. Jonathan Talbot asked me if I would like to participate and of course it happens when I am so busy that I can barely find the time to meet the challenge.
I had such a hard time with this. I am rarely asked to to anything specific, and I really enjoy my art freedom, portraying whatever subject I want and whenever I want! I took this project on like I was a student in my own Design class. It's HOMEWORK! I had a deadline, and I had specific objectives I had to meet.  I struggled a lot with it. I am an all or none type of gal, so I either wanted to re-create his piece of make it entirely mine. In the end, I came to a compromise with myself. I would set up some restraints, like Matthew Barney in his series Drawing Restraint.

Seligmann's painting


I picked one piece that fascinated me both in visual and intellectual content. The piece Acteon was a painting (and I think he also did a variation in an etching) that Seligmann did depicting the tale of Ovid. The person was turning into a deer and being devoured by his hounds and his environment. Cool! The theme was right up my ally. I chose to follow Seligmanns lead both in color set and object placement. Even these simple rules made me crazy, but in the end I triumphed and completed this piece.
It hangs next to Steven's in Orange County. I look forward to going down and seeing this exhibit in person next week!

Acteon
This upcoming exhibition, curated by Jonathan Talbot & Jessica Lawrence, 
will open on March 15th, 2012.
The Reception will be on Friday, March 30th, from 6 - 7:30 PM
You can read more about this here.


3/18/2012

Wish You Were Here 2012


Steven Specht here (again)...

This piece will be submitted for the Annual "Wish You Were Here" postcard exhibit of the National Collage Society. It is 4" x 6" (required size) and is entitled "Leap Year" (or "She Always Appreciated His Dropping in on February 29th"). Enjoy!

Seligmann Center for Surrealism





Steven Specht here...
I went down to visit Jonathan Talbot this past week. He is curating a collage exhibit at the Seligman Center for Surrealism in Sugarloaf, NY. Both Julie Takacs and I are in the exhibit. I have already posted the piece that I will have in the show, but thought I would show some other shots that I took on-site (Julie's piece is awesome!; Kurt Seligmann's gravesite; our pieces side-by-side; a shot of Jonathan outside the gallery. It was a very nice day! BTW, the opening reception for this show is on Friday, March 30th in the evening. Enjoy!

3/07/2012

College collage




Steven Specht here...
I am officially excited about the upcoming collage exhibit I am curating at Utica College entitled "The End is Near: An International Collage Exhibit". The exhibit will feature Pierre Jean Varet (France), Sylvia Netcheva (Bulgaria); Dale Copeland (New Zealand); Jonathan Tabot (NY); Aprile Elcich (Toronto); Kevin Gilmore (RI); Deborah Snider (UT); Frank Viola (NY); Julie Takacs (NY) and me! The opening reception is Monday, March 26th from 4:30-6:30. Here are images from Pierre Jean, Dale and Jonathan. I will be posting more in the days to come! Enjoy!

2/12/2012

"The Question"





Steven Specht here...
I finished this piece today. It was mostly finished for a while (the two holes with the man and woman). I knew I was going to put a third "hole" in it, but wasn't sure about what to do after that. I decided on the skeleton transfer. It's always a bit nerve-wracking for a collagist like me to place a transfer, because I never know exactly what it's going to look like until it is placed (and then it's too late to do something else). I like to have a little more control. But I think it turned out well. Then I thought I needed something in the upper left hand quadrant of the piece for "balance". I tried Saturn, but it was too dark (and thus not recessive enough). Then I looked at the piece matted and in its antique frame and I decided that although the piece isn't "balanced" per se, it "opens up" on the left and this actually enhances the "feel" of the piece. Glad to have this piece done (it's been around for a while) and happy to be fairly satisfied with it. BTW, it's 11.5" x 6". The question is... what is "The Question"? Enjoy.

2/11/2012

"Smoke 'em if you got 'em!"


Steven Specht here...
Here's my latest piece (9.5 x 9.5"). I haven't been in the studio for a couple weeks because I have been busy with the beginning of a new semester and was at a conference in Louisville last week (that deserves its own post). Anyway, I'm pleased with this piece. In a way, it's the "opposite" of many of my other work in which I place color accents within a black-and-white (or muted palette). This piece features a colorful background with black-and-white accents. The "guys" were each individually cut and meticulously placed (that's what took the longest in this composition... by far). Enjoy!

2/05/2012

Death Book of Beth Watson

Last semester in my Design Class at SUNY, I gave the students an altered book final. It's the second time I have given an altered book as the final, and I have been really psyched with the response I get from the students. The creativity and dedication to the project really shows in the books that are turned in.
One student of mine, Beth Watson, used Death as her theme and featured crows throughout the book. I'm such a crow fan and I  loved the idea and the way the book turned out so I offered to do a few pages in it over the holiday break.


The great colors and style in this piece really captures the mood of this book. 
Beth used a sketched tree with haunting crows as part of her theme, creating unity throughout her book.

The first spread I did in her book.  everybody - valley of death
 The second spread I did in her book.  black fur nest

2/02/2012

RIP Mike Kelley


"GO: One thing that the Internet seems to be doing is eroding the idea of copyright and originality. People are just taking bits of things and using them in a very free way.
MK: That's great. And the corporate entertainment industry is trying to stop it from happening. Think about it: Andy Warhol could not have a career now. He would be sued every two seconds.
GO: It's given a lot of work to the lawyers.
MK: Copyright laws are terrible for culture. It's illegal to respond to the imagery that surrounds you; you're bombarded every minute of the day with mass-media sludge. It should be the opposite: Everybody should have to respond to it. This is what should be taught in the public school system.
William S. Burroughs should be a major role model: All students should be given tape recorders and cameras to constantly record the gray veil that surrounds them, so that they can recognize that it's even there-and manipulate it. Most people are not aware of the white noise they exist in. Tape recording and photography allowed people to become aware of what was invisible to them for the first time. We're surrounded by invisibility. That's what I think art can do-make things visible."

Source:
http://www.interviewmagazine.com/art/mike-kelley/

2/01/2012

David Ball at Argot and Ochre Opens Tomorrow Nite

It was good of Daniel Rolnik to send me info about this artist. He is new to  me, as most are, since lately I am hibernating. I took a look at his site and was immediately moved by the deep colors. They are intense, and they grip the page to the very edges.  For a northerner like me engulfed in a monotone winter, these pieces were like medicine.
David was kind enough to send me this:

Tumult - 2011



Most of the work appears to be done mixed media, and then texture is added to compliment his initial thought. I love the way this makes the work seem half fantasy and half real. It's so difficult to achieve this, let me assure you, and he does it well.

"Pilgrim", David Ball ©2011. All Rights Reserved, Mixed Media on Panel. 24"x36" Sold/ Private Collection


I was scrolling along, and got color drunk. And then. I saw these. Fabulous. Pieces. That just moved me beyond the beyond. It's the winter palette. MOST exquisite. I loved this piece and the muted colors. His work is really cool. Personally, I think it reeks of masculinity. And that's a good thing ... since I usually am engulfed in my own female-ness. (does that sound sexist? I don't mean it so)


"Split", David Ball ©2011. All Rights Reserved. Mixed Media on Paper. 22" x 30"
Lucky for you, west coast person, since you can see this stuff up close and personal at 111 Minna in San Fran at the Harum Scarum exhibit. This opens tomorrow nite!


Where I was, where I am

The path my collage work has taken throughout my artist life has been a strange one. At first, I was quite enamored with DADA and the accidental placement of odd objects against one another.
My work was blunt and simple and full of Hannah Hoch love.
As time went on, I discovered altered books, round robins and I went thru the Victorian phase. I used a lot of period imagery and gained skill at mixing my own artwork with others.

Victoriana
An intense period followed this, when I was fresh out of my divorce. I went into a deep exploration of layered textures, using anyting and everything that I could get my hands on and leaning less and less on my own artwork.
Layerama


Since the David Hochbaum studio visit I have gone an entirely different route. I have used less and less external ephemera and have begun to fill in the space on my own. There are less works, but they seem more personal and meaningful.

Snow Moon -  2012
And so it was with great interest as I encountered the work of David Ball. Such rich canvases, filled with color...it was obviously fantasy...but with touches of realism in the collage elements. These pieces are speaking to me, although my style is vastly different from his. I want to honor him with his own post, and so that shall be.

___A place to find all kinds of information about collage.