I read a great article online on the Harpers' site today, written by by Jonathan Lethem, which I found by reading the comments on the blog of Eva Lake.
This is a superb read. I would quote from it, but it would seem as though I would have to copy and paste the entire article!
Here's a little tidbit,
"Visual, sound, and text collage—which for many centuries were relatively fugitive traditions (a cento here, a folk pastiche there)—became explosively central to a series of movements in the twentieth century: futurism, cubism, Dada, musique concrète, situationism, pop art, and appropriationism. In fact, collage, the common denominator in that list, might be called the art form of the twentieth century, never mind the twenty-first. But forget, for the moment, chronologies, schools, or even centuries.. ....it becomes apparent that appropriation, mimicry, quotation, allusion, and sublimated collaboration consist of a kind of sine qua non of the creative act, cutting across all forms and genres in the realm of cultural production."
Also interesting...
"Finding one's voice isn't just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Any artist knows these truths, no matter how deeply he or she submerges that knowing."
There's so much content in this article worth reading.
2 comments:
Hello Julie,
I responded to you over at evalake as well. You might find this complimentary piece, from the same issue of Harper's interesting as well:
On the Rights of Molotov Man
Wonderful blog you have going here, I'm glad I came by to check it out. I'll be back for more visits. Best to you...
Thanks from the bottom of my own aether! I have read several articles today about Shepard Fairey. He seems to be the latest topic of appropriation critics...
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