Yet another NYC collage exhibit

Read this story in the NY Times about a Romare Bearden collage exhibit.
www.nytimes.com/2011/04/02/arts/design/romare-bearden-at-michael-rosenfeld-gallery-review.html?_r=1&hpw

“Romare Bearden Collage: A Centennial Celebration” is on view through May 21 at Michael Rosenfeld Gallery, 24 West 57th Street, Manhattan; (212) 247-0082, michaelrosenfeldart.com.

Webster Wagner Hollow

Webster Wagner Hollow

Mixed Media on Oak Dresser Drawer

Acrylic, pen and ink, stencil, tape transfer, vintage yarn package, graffiti peeled in NYC, laser prints

I often drive by dark, old neglected buildings and wonder about the interiors. Sometimes there's a dim light and I can peak in and see the shadows of my imagination inside. This particular house, the Webster Wagner house in Palatine Bridge had no lights on and a feeling of desolate desperation permeates it's exterior. It always seems so empty and hollow.
While I composed this piece, I stopped to consider what should happen inside the building. I wanted no top or bottoms on the buildings prompting you to get closer to look inside. I wanted to convey the hollow feelings I have. So I decided to have the inside of the building be identical to the outside, a mirror image of the outside. The exterior has an interior that is it's exterior.

The exterior has an interior that is it's exterior

This idea of working on a different plane has me enthused. Especially since it fits my current subject matter so well! The video I am doing might really benefit from this treatment. It's funny how one idea bleeds into another.

article worth reading

Steve Specht here...
Wow, this is a very interesting article in "Inside Higher Education" about science, creativity and art. Enjoy!
www.insidehighered.com/news/2011/03/28/interview_with_author_of_book_on_artscience_labs

Webster Wagner House

After all the fuss and tedious work for my daughters' shower, it was a mind shift to begin work on my own stuff again!

Webster Wagner House

Today I was able to plunge back into my work! I just finished Webster Wagner's House. It's a very imposing, run-down and creepy home in Palatine Bridge. I tried to imagine it in another day, perhaps when times were not so tough. In reality, this house looks worse than ever. I doubt it has a long future ahead.

More invasion and other fantasies

Steven Specht here...
Greetings! I wish I had more time to share some thoughts about this piece; but I am really overwhelmed with my "real job" work these days to take the time. I did want to get this image (11 x 14") "out there" though. More to come when I find a little bit of time. Enjoy!

Appropriation and Richard Prince

Work by Richard Prince—in the Canal Zone exhibit

Who is Richard Prince:
from wiki:
Richard Prince (born 1949 in the Panama Canal Zone) is an American painter and photographer. Prince began appropriation photographs in 1975...
Re-photography uses appropriation as its own focus: artists pull from the works of others and the worlds they depict to create their own work.


He's been in the news lately....he got sued for his appropriation of photographs, specifically, images from Patrick Cariou, a photographer who is author of  the book “Yes Rasta". I always watch with keen interest when I see collagists brought to court. If you have followed this blog, you have heard of my exploits with copyright issues, and how recently I purged more than 50% of my ephemera collection in order to push myself to create more of my own pieces for collage work.
Sadly, Richard lost the case. I am not aware of the specific details of this case, so I cannot comment on this outcome. It is interesting to note, however, that the judge not only found Richard Prince guilty, he also found the gallery that represents him (Gagosian!) guilty too! This is a HUGE blow to collage art and appropriation in general.
Step lightly, my friends!
I suppose, if your work isn't selling in the 6 figure range, most likely no one will be suing or bothering you. Once you reach that threshold....and it becomes more about the money....it appears as though the courts do not easily rule in your favor. How many times have you taken a photo from any other source but your own and embellished it?
Again, since I don't know of the nitty gritty details of this case, I can't make much of a judgement. But as a full time collagist, I still find this all so very disturbing. 


To flip the coin:
Really. How hard would it have been for Mr. Prince to go and get his own Rasta photos?  He has the money to do so. Or he could even search (Flickr) Creative Commons for other pix to use. I feel this man could have avoided the whole problem by taking his own pix.  Go figure!


Article in the New York Times about the case is here.
More about Richard Prince can be found on wiki here.
And finally, a link about the very exhibition causing the problems for Mr. Prince is here.

Work by Richard Prince—in the Canal Zone exhibit

Finished! Back to my own stuff!

The wedding projects are finished. I ended up creating 12 different heart collages which when printed became the table cards. The originals I bound in the book for her and honestly, it's the best binding work I have ever done. Indeed this is appropriate, since it's for my daughter! I can't wait to see the look on her face this weekend at the shower. A trip to North Carolina is in order and I will be out of town for a week enjoying southern spring weather while snow continues to pile up in my yard!
This past week I finished up a piece for Steven (which i will be telling more about in a future post), in addition to doing a piece for Melissa McCobb Hubbell and 6 pages in an altered book round robin for Laura Lein-Svencner. It's been a crazy busy week!!

My stuff on the wall in downtown Canajoharie

So when I got the go ahead to hang my artwork downtown at the Elephant Bistro, it pushed me over the top! The elephant bistro is a new place to eat in Canajoharie. It's got really great food and a super nice ambience I just adore. The ladies that run it are very personable and from the first time I went there I felt I was with friends. I have more pieces to hang for them, but this will have to wait until I get back home. Time for some R & R!

Invasion series

Steve Specht here...
This one is entitled "No, I haven't heard about any invasion" (8" x 10"). I am having fun with the "Invasion series" so far. The title of my upcoming solo exhibit at Arkell Museum in Canajoharie (June 3-July 29) I think will be entitled "Invasions and other fantasies". I'm really looking forward to seeing the piece hanging together. BTW, it wasn't intentional that my last two pieces have had a similar color scheme, but I certainly like the scheme. Enjoy!

"Elegant Finestra" (8" x 8")

Not much to say about this one at this point. Just thought I'd share. I'm hoping to finish a couple this week. Enjoy!

Opportunities?

Steven Specht here...
I hate to bump Fred's work (SEE BELOW!), but thought some of you might be interested in the following:
A couple of things for folks to consider.
The Rochester Contemporary Arts Center is conducting one of their interesting fund-raisers again this year in June. It's called the 6x6x2011. Artists can submit a 6" x 6" piece of artwork (any medium) which becomes part of a 5000 piece exhibit (yes, 5 thousand!). Each of the pieces is priced at $20 to benefit the Center. It's interesting to see the diversity of artwork. The down-side is that your name does not get posted with your piece. It is only revealed to the buyer (so the name exposure is virtually non-existent). BUT, I think it's a worthwhile cause. I think I am going to do it again this year and attend the opening reception on June 4th. Should be fun. Check out the website at: www.rochestercontemporary.org/ You can see a cool video from last year's 6 x 6 event at this site too. Deadline for submission is May 1, 2011.
The Old Forge Arts Center is sponsoring an exhibition with the theme "H2O". They are accepting artwork and written work for this show. The show runs from March 26-May 7th with opening reception on March 26th. The deadline for submissions is March 7th. Check out this site for more details: www.artscenteroldforge.org/exhibitions.cfm?newsitem_id=23&action=view
Enjoy!

p.s. Also, way further on down the road. Jonathan Talbot will be conducting one of his wonderful workshops at Utica College during the weekend of April 21-22, 2012 in conjunction with a collage exhibit at Utica College of which Julie will be a part! More details to follow (you'll be able to enroll through Jonathan's website soon).

Fred Tomaselli

Discovery of the day:
Fred Tomaselli
I found these beautiful works through Look into my Owl. What fascinating and in depth pieces this man creates! To quote wiki:
"Tomaselli's paintings include medicinal herbs, prescription pills and hallucinogenic plants alongside images cut from books and magazines: flowers, birds, butterflies, arms, legs and noses, which are combined into dazzling patterns that spread over the surface of the painting like a beautiful virus or growth."
Fantasic pieces that feed my imagination, works that take awhile to absorb!  He coats the finished product with resin, and I can't think of anything more glorious visually than looking thru the depth of resin at these primordial images.

Fred Tomaselli (American, b. 1956). Big Raven, 2008. Acrylic, photocollage, and resin on wood panel, 84 x 72 in. (213.4 x 182.9 cm). Private collection, courtesy of the artist, White Cube, London, and James Cohan Gallery, New York

Fred Tomaselli (American, b. 1956). Desert Bloom, 2000. Photocollage, acrylic, and resin on wood panel, 60 x 60 in. (152.4 x 152.4 cm). Collection of Martin and Rebecca Eisenberg

My love of anything organic prompts me to look further. I go to the Brooklyn Museum site and find this wondrous piece that puts me in a swoon and inspires my sad and lonely collage muse. What a celestial masterpiece. I am an instant fan. Can't believe I haven't seen his work before.
More on him here:
Brooklyn Museum
James Cohan Gallery
wiki

"I was thinking of something different"

Steve Specht here...
Here's a piece I did a couple years ago, before I learned Jonathan Talbot's technique. I "refurbished" it and re-matted and framed it (mat and frame not shown here). It's 8" x 10". Enjoy!

Lapel pins

Steve Specht here...
During one of my evening travels through collage-land, I happened to do a little mini-collage with some scraps. After some exploration and experimentation, I thought these might make nice collage lapel pins. Still need to work on some of the details, but I kinda like these. I gave one to MC for Valenine's Day. Enjoy!

Primordial collage

Steve Specht here...
This exhibit looks like a great opportunity to see some of the earliest collages of Picasso and probably some of the initial collages that gave "fine art" credibility to the medium. Check out the story at the New York Times site.
"Picasso: Guitars 1912-1914" is on view from Sunday to June 6 at the Museum of Modern Art
I can't wait to see it!!!

i am a collage assembly line

I am working on a project for my daughter. She is getting married in May and her shower is in March down in Wilmington, NC. I volunteered to make centerpieces for the shower and this has had me collaging my brains out.
The theme for the wedding decor is black and white. She has used music motifs in her invitations (which I also designed for her...) and I wanted to include these ideas in my project.

saturday

I made 12 collages so far, 8 x 7 in size. They will be scanned and printed. Then I will create table cards out of the prints.
The originals? I plan to bind them in a book that i will present to her at the shower.

It's meant a whole lot of crazy collaging and with this theme, I can relax and not worry so much about composition. It's been fun. But I feel like an assembly line!

to you

1-1
Originally uploaded by misphit

Sending you love on wings.

Anthony? Johnny? or no name?

Steve Specht here...
It's been a while since I posted a new piece. Here's one that I finished this weekend. I need to mount it and frame it though. But I'm having a bit of a problem with a 'name'. The title of the piece will be either "One Day Johnny... One Day" or "One Day Anthony... One Day" or "One Day Son... One Day". Does it make a difference if I assign a name to the individual in the vintage photo used in this piece? Hmmm... Any thoughts? And... should I care what others think? In general? Interesting questions methinks. Regardless... Enjoy!

A message from Alexis Anne

Dear Friends,

I hope this finds you all well and enjoying the new year. 

This Saturday at Swarm Gallery in Oakland is the opening reception for Bloom & Gloom, a duo exhibition with my friend Katy Horan and myself. The works I’ve created for this show are all non-figurative, a side of my work that I have always loved personally, but have not exhibited much. 

Other news: studio visits from just last weekend have been posted on Juxtapoz and The Flop Box... Follow those links to check them out. And, on January 30th, keep your eyes peeled for an illustration I made for the New York Times Sunday Magazine On Language column, utilizing football players, of all things. 

Below is the press release for Bloom & Gloom, and a couple images of my new work for the show; hope to see you Saturday!

Best,

Alexis

“Milk Grass”, collage on vintage paper, 14 ½ x 12 in.

alexisanne.com

Sachem

Ho Nee Yeath Taw No Row got promoted to collage today. I really was thinking about ways to float his face on top of script. I came up with all these various techniques, but each of them had faults. I ended up printing my own ink drawing on the paper and then working the collage. His face is so busy already with the tattoo, I didn't really feel the need to add too much embellishment.

Sachem

Ho Nee Yeath Taw No Row

The next thing I need is 2 fine Mohawk Indians. I need them to be somewhat true to what a native American actually looked like. I researched and found information about this fine warrior and Iroquois Sachem. They had fantastic face tattoos and I think I will use these patterns in my upcoming work on this particular vid.

Ho Nee Yeath Taw No Row

Here is his companion, Sa Ga Yeath Qua Pieth Tow, the grandfather of Joseph Brant who is quite a figure in our local history. These 2 prototypes will now go from drawings to collage.

Sa Ga Yeath Qua Pieth Tow